| Brannon Costello |
1 |
The Futurama Isn’t What it Used to Be: Embodiment and the “Real Thing” in Howard Chaykin’s Time |
| Michael Dean |
23 |
A Path Through Time: A Close Reading of Jim Steranko’s “At the Stroke of Midnight” |
| Daniel L. Werneck |
58 |
Decoding Laerte: “Minotaur Handbook” and the Politics of Gender |
| Brittany Tullis |
77 |
Paco Roca’s Arrugas, Miguel Ángel Gallardo’s María y yo, and the Impact of Social Comics in Contemporary Spain |
| Kent Worcester |
90 |
Making Stories Real and Concrete: An Interview with Nick Thorkelson |
| Richard Scully |
120 |
Constructing the Colossus: The Origins of Linley Sambourne’s Greatest Punch Cartoon |
| Kane Anderson |
143 |
V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement |
| Tom Gill |
169 |
“Chiko,” “A View of the Seaside,” and “Mister Ben of the Igloo”: Visual and Verbal Narrative Technique in Three Classic Manga by Yoshiharu Tsuge |
| Frederick Wright |
191 |
Watching Watchmen: The Reading of Motion Comics |
| Darren Harris-Fain |
200 |
It Rhymes with Bust: The Failure of the St. John Picture Novels |
| Boaz N. Adler |
214 |
Illustrative Lives in Spanish: Mexican Comic Books about Scientists as Inspiration for Science Education |
| Frenchy Lunning |
225 |
The Kyara, the Shôjo, and the Strange Trace |
| ©William McGrath |
239 |
Grace Drayton, a Children’s Illustrator Who Also Portrayed Young Women -- a Biographical Sketch |
| Kim Munson |
264 |
Revisiting “The Comic Art Show” |
| Shannon Lawson |
289 |
The Artifice of Representation: Vestiges of Orientalism in The Rabbi’s Cat |
| Bryan E. Vizzini |
306 |
Lightning Comics’ Tod Holton, Super Green Beret: American Exceptionalism in Vietnam |
| N. C. Christopher Couch |
314 |
We Shouldn’t Even Have to Say Comics Deserve Respect:Comparative Perspectives on Teaching Sequential Art |
| Cara Takakjian |
332 |
Gipi and the Continuation of the Neorealist Tradition in Italian Graphic Novels |
| Lawrence Rodman |
348 |
The Wolverton Bible and Other Visions |
| Maggie E. Morris Davis |
360 |
Reframe, Reframe: An Adaptation Study of Benjamin Percy, Danica Novgorodoff, and the Iraq War |
| Holger Briel |
368 |
The Drawn-Out Diaspora: Manga on the Shores of the Other |
| Muliyadi Mahamood |
385 |
An Evening with Lat and Malaysian Cartoonists |
| Su Feng and LuoXiaoyi |
393 |
The Mode of World Animation Education and Development Mechanism |
| Dan Mazur |
419 |
The Boston Comics Roundtable and the Creating of a Comics Community: A Case Study |
| John Offerman Sindall |
437 |
Q-Collection Comic Book Preservation Project |
| Phil Yeh |
446 |
Cartoonists Across America & the World: A New Direction for Our Global Literacy Campaign |
Richard Scully |
460 |
Mr. Punch Versus the Kaiser, 1892-1898: Flashpoints of a Complex Relationship, Part II -- Photographing “Wilful Wilhelm” |
| Kim Ki Hong |
464 |
Gatekeeping the Webtoons: A Study on the Internet-Based Cartoon Culture in Korea |
| Paul Kelemba (Maddo) |
472 |
Africa’s Hergé Takes A Bow: A Tribute to Frank Odoi (1948-2012) |
Thierry Groensteen
Translation by Pedro Moura with Miriam Sampaio |
475 |
A Response to Renaud Chavanne |
| John A. Lent |
477 |
The Printed Word |
| |
480 |
Book Reviews |
| |
493 |
Correction |
| |
494 |
Portfolio |
